Transparent Amber
Clarity that holds the sun
كهرمان طبيعي
Raw Baltic-origin material, worked with minimal intervention. Inclusions, gas bubbles and internal fracture planes are preserved as evidence of authenticity rather than polished away.
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Untreated. Unrepeatable.
Best for
Natural Amber is the most demanding material in the house. Yield is low, matching is slow, and a single strand may take a craftsman two days to assemble from qualified beads.
We supply it with documentation of origin and, on request, third-party gemmological verification. For collector and museum-grade commissions this is not optional.
Because each strand is genuinely unique, we recommend it for limited editions, auction pieces and personal commissions rather than for continuous retail supply.
Macro study
Natural Amber
Natural amber is fossil resin cut and polished and nothing else — not reconstituted, not heat-clarified, not dyed. Every strand varies, and a buyer who has not been told that reads the variation as a defect. Retailers who sell this variety best say so plainly at the point of sale, because the customer who understands what they own is the customer who comes back.
What you give up is colour uniformity across a large run and large diameters at rational cost. What you gain is a piece that survives an informed buyer’s inspection and documentation weight when the object represents an institution.
It is possible and it requires accepting a colour band rather than a colour point. We quote the band we can hold for your volume in writing, and we would rather lose the order than agree one we cannot deliver and discount the difference afterwards.
The structure that works is a reserved parcel with an agreed tolerance and staged release, so the whole programme comes from material committed before the first strand is cut. Buying natural amber at volume from spot purchases is how two visibly different tranches happen, and it happens often.
Irregular three-dimensional inclusions with varied shapes and depths are consistent with natural amber. Uniform bubbles in flow lines indicate a moulded imitation. Elongated bubbles at seams indicate pressed material, which is genuine and simply different. Disc-shaped sunspangles are usually the product of controlled heating rather than of nature, and a supplier presenting them as proof of natural origin has it backwards.
For collector programmes we select for inclusion character rather than against it, and we photograph the actual pieces rather than representative ones.
Where origin carries commercial weight, the only answer that survives a dispute is analysis by a laboratory neither party controls. FTIR spectroscopy identifies amber unambiguously and distinguishes natural from pressed, and we arrange it through an independent laboratory where the order value justifies the cost.
We do not issue our own certificate of authenticity as though it were evidence, and we would encourage scepticism towards any supplier who does — including towards us if we did. A certificate is worth exactly the reputation of whoever signed it, which is not a standard this category should accept when a real test exists.
To a band, not a point. We quote the band in writing and would rather lose the order than agree one we cannot hold.
Not in natural amber. They are the record of what the resin trapped, and for collector work we select for them.
No — they are usually produced by controlled heating. A supplier presenting them as proof has it backwards.
Yes, FTIR through an independent laboratory where the order value justifies it. We do not issue our own certificate as evidence.
Send a quantity and a market. We reply within one business day with a specification, an indicative price and an honest timeline.